Celebrating the Nut Tree’s Modern Design

Dining room
Modern design in architecture, seen here in the dining room in the mid-1970s, defined the beloved Nut Tree, which attracted families along Highway 40 during the mid-20th century. Courtesy of the Vacaville Museum.

Sometimes modern design sneaks up on people in the oddest of places. For many, that may have included Northern California’s greatest roadside attraction ever, the Nut Tree. 

Now being honored on its 100th birthday, the late, lamented Nut Tree (1921-1996) is the subject of a lively exhibit, 'Nut Tree Centennial,' through January 9 at the Vacaville Museum.

The original restaurant, gift shop, airport, and play areas were replaced by a sprawling shopping center, also called the Nut Tree, that does preserve some play structures and décor from the original.

Beginning as a roadside fruit stand in rural Vacaville, the family-run operation (founders Ed 'Bunny' and Helen Power, sons Ed and Bob, and daughter Mary Helen Fairchild) morphed from rustic to modern at the start of the 1950s.

  Aviary
The restaurant had open-to-the-air aviaries that resembled in some way Eichler atriums -- only here they housed birds. Courtesy of the Vacaville Museum
 

There was a spacious restaurant with open-air aviaries that suggest Joe Eichler’s atriums, a gift shop, miniature trains, even an airfield.

For decades families cruising from the Bay Area to Sacramento could stop midway for a well-cooked meal in a well-designed place, enjoy the train and playground, and buy souvenirs – including objects of modern design

“My recollection of the Nut Tree from my childhood was that it was a magical destination spot,” says Marty Arbunich, publisher of Eichler Network, “or, at a minimum, a must-see refreshment stop for so many Bay Area travelers heading to Lake Tahoe and Sacramento.

“How could you pass by the Nut Tree without stopping? After all, the long, hot drive was mostly uneventful…until the Nut Tree. I was always thrilled to stop and take it all in.”

  Don Birrell
Artist Don Birrell, seen here with a model of the Nut Tree store circa 1958, oversaw the entire look of everything Nut Tree, from buildings and products to packaging and how cuisine was arranged on plates. Courtesy of the Vacaville Museum.
 

Could these visits have contributed to young Marty’s later interest in modernism? It’s worth noting that, in addition to the public buildings of a modern bent on the Nut Tree site, there was also a custom Eichler home, designed by Jones & Emmons and built in the 1950s, that had been commissioned by Bob and Peg Power. It was torn down in the early 2000s.

“Nut Tree was a good example of mid-century modernism in a public commercial plaza,” the historians behind the Nut Tree's Historic American Landscape Survey reported.

“There was a connection between inside and outside through the use of glass. The restaurant space connected to the landscape, which was planted with plants with striking foliage shapes and use of varied materials on the ground. Interior aviaries also brought in light from the ceiling and continued the indoor-outdoor look and feel,” the report said.

The Sacramento architectural firm Dreyfuss & Blackford was behind the buildings, and landscape architect Robert Deering, also from Sacramento, was behind the landscape, which was fully integrated with the architecture.

It is artist and designer Don Birrell, who worked for decades for the Nut Tree starting in 1953, who gets much of the credit for the Nut Tree’s look.

Eames
Chairs designed by Charles and Ray Eames were used in the restaurant,. The Power family had them in their own modern homes, and the chairs were sold in the Nut Tree shop. This is an exhibit view. Photo by Dave Weinstein

But Diane Power Zimmerman, Bob and Peg’s daughter, gives ultimate credit not to Birrell, great as he was, but to her uncle Ed, who built modern, glass-walled, adobe homes on site for the family several years before Birrell arrived.

Her uncle was a devotee of the designs of Charles and Ray Eames, which were used in the dining room, in the families’ own homes – and were even sold at the gift shop.

“The Powers looked for ways to make their business modern attractive, and were early devotees of modern design. Nut Tree was the only Northern California distributor of the molded plastic Eames chairs used in the restaurant as well as in their private homes,” museum curator Heidi Casebolt writes.

Indeed, Zimmerman traces the aesthetic tone of the Nut Tree back to her grandfather, Bunny. “It was an aesthetic approach to everything,” she says of the tone he and Helen established. “My grandfather was very artistic. They didn’t just sell fruit, they sold fancy fruit packages that were decorative.”

Toy
The Nut Tree promoted a modernism that appealed to a child with warmth and whimsy. The Vacaville Museum owns a large part of the Nut Tree's collection. Photo by Dave Weinstein.

“It was very cutting edge,” says Zimmerman, who is writing a book about the Nut Tree. “It was ahead of its time in everything. We always prided ourselves on being first. Our grandfather and grandmother searched the world for firsts.”

The company insisted that everything, from food to décor to behavior, achieve “the Nut Tree standard.” Young Diane sometimes fell short.

“I had performance evaluations when I was 12. I was told my shoes were too dirty,” she says, laughing. “White tennis shoes that didn’t bleach.”

The Nut Tree, whose mid-century modern designs partook of the whimsical, was all about what later was called “branding.”

“We had a master plan for everything, from the design of the billboards to landscape architecture, from interior design to the way food was arranged on the plate,” Don Birrell told the San Francisco Chronicle in 2000. “We wanted to create a certain feeling, make people remember us.”

It worked.

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